Every month, I share the articles and sites that I found most interesting. Here’s what caught my attention in June.

• The Key Book Publishing Paths: 2018 by Jane Friedman: a downloadable chart detailing the most common publishing options

• The 430 Books in Marilyn Monroe’s Library: How Many Have You Read? by Ayun Halliday

• A study on the financial state of visual artists today by The Creative Independent: “With this report, we hope to paint a clearer picture of how structures of the art world work (or don’t work) to grow artists’ careers, help them earn a living, and satisfy their overall human needs.”

• The Perfect Photo: Myth or Reality? by Emily Ludolph: “As creators, we can spend hours fine-tuning the tiniest details until we deem our end result “perfect.” But is there really such a thing as perfection when it comes to creativity?”

• Why photojournalism matters by Elodie Mailliet Storm: “This image is the result of ten years of John’s work documenting the U.S. Mexican border, way before it increasingly became “news” under the new Administration.”

• How Instagram’s algorithm works by Josh Constine

• Why Photography’s B&W vs Color Debate Is No Debate At All by Lars Mensel: “Just as black and white now looks reduced to our eyes, color must have seemed gaudy to the photographers of the 1950s: It looked like embellishment.”

• How everything on the internet became clickbait by Kevin Munger (via Now I Know, which I highly recommend subscribing to.)

This setup is perfect for people motivated primarily by diversion and duty — anyone with an internet connection has access to more high-quality information sources than Harvard professors 50 years ago could have dreamed of. It turns out that there just aren’t many people who want to take advantage of that; most of us are more into drama and display.

• #BotSpot: Twelve Ways to Spot a Bot by Ben Nimmo: Some tricks to identify fake Twitter accounts

• You Have to Fail a Little by Melissa Baumgart: “When I am flailing in my writing, certain I don’t know what I’m doing anymore, I put on Hearts of Darkness: A Filmmaker’s Apocalypse to remind myself that however bad it gets, it’s not as rough as being Francis Ford Coppola on the set of Apocalypse Now.”

• The Hidden Queer History Behind “A League of Their Own” by Britni de la Cretaz: “By not including a gay character’s story in “A League of Their Own,” the film does to the history of the league what the owners tried to do its existence—erase lesbians from the narrative.”

What’s the most interesting thing you saw online this month?